I’m not getting as much time as I’d like to get any finished drawings done these days, between one thing and another, but still I’m still managing to get a few sketches done here and there. Here’s a few randoms from my Moleskin.
Getting a little more done with the Hexumi comic. I finally managed to get my hands on some blue pencil lead for my Tikky mechanical pencil from my local art shop, which was a nice surprise considering it seems to be so hard to get these days. It’s freed me up a bit since I don’t need to worry about rubbing out the pencils and destroying the paper surface. Also, between doing pages 4 and 5 I bought a pad of Windsor & Newton 250gsm Bristol Board. I’ve read about comic artists using Bristol Board in the past but I’d never managed to get my hands on it, I’ve been using ordinary cartridge paper up to now. It’s great with my G-Pen, runs really smoothly, hence why there’s a bit more detail in the fifth page. The line work has bit less bleed too and I’m finding the inking less of a chore since I’m getting a lot closer to the type of line work I want. I’m looking forward to trying out some watercolour on the Bristol Board to see how well it holds up.
I thought I’d share the flats with you this time round, saying as you haven’t seen any colour from it yet. Trying to keep it quite colourful, since it is aimed towards a younger teen crowd (I think). I’ve got a nice little colour palette gathered up so far for the flats.
But we’ll see how all the pages sit once they’re together (probably in 2015 if I don’t get a move on with it!) Hope you like, let me know!
And here’s page 3. This one didn’t take quite as long, not as much scene setting details and mostly all character dialogue, I’ve stuck the speech bubbles on roughly to get a gauge of how the page is flowing but that is liable to change. Check out the other pages if you haven’t seen them yet.
Here’s pencils and inks for page 2 of the Hexumi comic for Conflicting Kingdoms. The red ink is some amendments I made to the pencils after I’d scanned it into Photoshop to see how it would look (I really only scan the pencils to have a record of them before I ink them with the G-pen). Again, it’s a slow process with not much spare time, but the colouring is going a bit quicker now, so I’ll just keep plugging away at it.
I’ve made a little progress on the Hexumi comic for Conflicting Kingdoms, after finishing the cover. Below is the first page pencils and partial inks, plus the finished inks. As with the cover, I completed the inks using my G-pen and Pentel Brush Pen over the pencils, then scanned it to finished the colours and lettering in Photoshop. This is the first proper comic page I’ve even attempted in about 15 years and it did take a while from pencils to colours (I’ll save the finished coloured page for now, you’ll be able to see it when the whole things done). I’m glad I’ve got the first page done now, I’m hoping the rest won’t take quite as long. I think part of the reason for this one taking a wee while was partly because of the scene setting and the detail in the first frame. Even when I was doing the Market Card for the game, it was a little tricky designing the market, but hopefully it works well. The next couple of pages should be a bit easier, their mostly character conversations, with a little bit of action. Keep watching this space.
Woohoo, at last, here’s the third and final part of the Minotaur painting. I’m pretty pleased with how it turned out, although I still think I’d have liked to work some more on his face. I also like how the background looks, it really helps to give it a lot of depth. I’ve spent approximately 7 hours on the whole thing. Here’s the final image, let me know what you think…
Here’s part 2 of the Minotaur timelapse. I was hoping there would only be two parts, but I really got sucked into it. One good thing is that I’ll be able to see exactly how long I’ve spent on this from my screen recordings. I’m guessing Part 3 will be the last.
I’ve been doing a few more rough sketches for Conflicting Kingdoms and I’ve been trying to settle on a few designs for minotaurs which will be included in some of the paintings. Some of the other artists have already done a lot of the minotaur cards, I always like to try to get a new creature design right before I start incorporating them into a full-blown illo. Then I decided to take one of them a bit further and paint him up, since I hadn’t done any painting for a wee while. I’m still working on it, but here’s Part 1 of the time-lapse. Keep an eye open for Part 2.
Here’s the final set of cards for now, I’m taking a break for a couple of weeks from them while I get a few other things sorted out, and maybe work on a couple of other things. This set finishes the Konk themed, all five are location cards: a training dojo, a bridge over the waterfall, the air shrine, the Konk’s ‘canteen’, and finally the Konk’s treehouse market. The market was probably my most complicated and detailed card I’ve done, it was a tricky one to plan out.
I first did a couple of colour sketches to figure out the composition and settled on this:
After that I decided to go and build a rough primitive version in 3D, to help me both with the perspective and the lighting and shadows:
I’ve only tried this method once before, but it was a big help with getting the artwork finished quickly and on time, and I was really pleased with how it turned out.
Really looking forward to seeing these printed and part of the deck.
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